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Seedance 2.0

A 20-second chase on a wet evening street: a girl in a dark green jacket flees three men, vaults a bicycle and finds a fire escape

Prompt

PROMPT:
Generate a 20-second, 16:9 horizontal, 720p urban street chase action short film with highly realistic live-action footage quality.

Use tense, fast-paced action-movie editing with clear spatial relationships. An old commercial street just after rain, at dusk as the sky enters blue hour. Most storefronts along the street are already closed. Metal roll-up shutters, old brick walls, narrow alleys, external fire escapes, and scattered warm yellow shop lights create a realistic urban environment. Wet asphalt reflects streetlights and colorful sign lights, but no identifiable brands or garbled text appear.

【Complete Character Design: Female Lead】

The female lead is a 22-year-old adult East Asian woman, approximately 168 cm tall, slender and toned, with an athletic build shaped by regular recreational running. She moves nimbly but is not a professional operative or superhero.

Naturally warm-toned skin, retaining realistic pores, fine skin texture, and natural asymmetry; a slightly narrow oval face, defined brow bones, straight thick eyebrows, a sharp gaze, a naturally straight nose, a clean jawline, and a very faint small scar at the outer end of her right eyebrow. Full breasts with a clearly defined bust and cleavage.

Her black hair, cut to her collarbones, is tied in a slightly loose low ponytail. As she runs, her ponytail, loose strands, and jacket hem sway continuously with her speed and turns. As she tires, a few loose strands gradually stick to her forehead and the sides of her face.

Her outfit remains fixed:

Matte dark green lightweight windbreaker
Dark gray fitted U-neck T-shirt
Black straight-leg cargo pants
Dark gray non-slip running shoes
Small black nylon crossbody bag
A narrow burgundy webbing strap running from her right shoulder to her left hip.

The female lead maintains the same face, body type, hairstyle, outfit, and crossbody bag throughout. The crossbody bag always belongs to the female lead and must not transfer to any of the pursuers.

The core of her performance is:

Initially alert
→ Tenses up and accelerates once she realizes she is being chased
→ Quickly assesses obstacles
→ Briefly panics upon reaching a dead end
→ Refocuses after spotting the fire escape
→ Nearly gets caught
→ Temporarily gets away, but still dares not relax.

Show her tension through one glance back to check, hurried breathing, brief scans of her surroundings, shifts in her center of gravity, and gripping motions. Do not use exaggerated wide eyes, screaming, or meme-like terror.

【Three Pursuers】

There are exactly 3 adult male pursuers, none carrying weapons:

Pursuer A: Tall and large-built, wearing a charcoal gray hoodie, black pants, and black sneakers. Always runs at the front.

Pursuer B: Stocky, wearing a dark blue denim jacket, a muted yellow T-shirt, and dark pants. Usually positioned behind and to the left of A.

Pursuer C: Lean, wearing a worn brown work jacket, a gray knit cap, and dark gray pants. Usually positioned at the back right of the group.

Their identities, faces, builds, and outfits must not be swapped. The number of pursuers always remains 3; do not duplicate, merge, suddenly remove, or add any pursuers.

【00:00–00:02.5|Establishing Wide Shot · Pursuers Spotted】

Use a static wide shot from an oblique angle on the street, clearly establishing the wet commercial street, the intersection, the narrow alley entrance on the right, and the approximate direction of the external fire escape in the distance.

The female lead suddenly bursts out of a small alley at the back left of the frame and enters the main street, instinctively looking back to check.

Pursuer A appears immediately afterward, followed by pursuers B and C, who burst out of the same alley entrance less than half a second apart. The three form a clearly defined chase formation with distinct spacing.

After confirming that they are pursuing her, the female lead's breathing tightens noticeably. She leans forward and immediately accelerates toward the right side of the frame. The pursuers chase in the same direction.

The music begins with a low, pulsing beat. First, the sound of the female lead's shoes hitting the ground and splashing through shallow water is heard; then the approaching footsteps of the three pursuers gradually draw closer.

【00:02.5–00:06|Side Tracking Shot · Gap Closes】

Cut to a medium-long, high-speed tracking shot from the side of the street. The camera moves right, parallel to the female lead, keeping her full body and all three pursuers visible behind her at the same time.

The female lead accelerates, pumping her arms. The crossbody bag and burgundy strap bounce continuously against her body. She looks back just once, briefly confirming that pursuer A is closing the gap, then immediately turns her gaze forward again.

The three pursuers maintain their fixed identities and relative formation:

A at the front
B at the back left
C at the back right.

The female lead passes through a puddle, planting her right foot in shallow water first. Water splashes backward only after her foot makes contact; her shoe does not slip, and she continues running smoothly.

When B runs through the same puddle, his stride falters slightly, temporarily leaving him half a step behind. The music adds fast low drums and short, sharp electronic beats.

【00:06–00:09.5|Low Front Tracking Shot · Vaulting a Fallen Bicycle】

Cut to a low-angle wide tracking shot from in front of the female lead. The camera moves backward along the street, keeping her fully visible from the knees up and clearly bringing the obstacle ahead into frame.

An old delivery bicycle lies on its side by the roadside, jutting diagonally into the middle of the running path.

The female lead spots the bicycle, glances down to judge its height, and shortens her stride to adjust her takeoff point.

Her left foot plants firmly on the wet ground, her knee bends, and her center of gravity lowers. Then she pushes off with her left leg, both feet leave the ground, and she vaults over the lowest part of the bicycle frame.

Her body rises only after she takes off.

She lands right foot first, naturally bending her knee to absorb the impact. Her upper body dips briefly, then she immediately accelerates again.

Cut to an extremely brief medium shot from the side and rear: pursuer A braces both hands on the handlebars and vaults over the bicycle, B goes around it on the left, and C steps over the wheel on the right. Their movements are distinct but continuous, with no clipping or bodies merging.

【00:09.5–00:13.5|Compressed Telephoto Perspective · Entering a Dead End】

Cut to a frontal telephoto shot from deep inside a narrow side alley.

The female lead quickly turns right off the main street into the alley. The telephoto lens compresses the space, making the pursuers behind her seem increasingly close. She plants her right foot to change direction, naturally leaning into the turn, while her sole kicks up a few droplets of water.

She runs a few steps forward, then suddenly realizes that the alley ends at a sealed brick wall.

Her speed drops noticeably, her sprint turning into two quick decelerating steps. She does not stop prematurely and does not appear instantly beside the wall.

She first looks at the sealed wall, briefly panicking; then quickly scans to the left and above, spotting a fixed metal toolbox beside the wall and the lowest rung of a fire escape about two meters above it.

The increasingly close footsteps of the pursuers and one brief shout are heard from behind, but do not generate any intelligible dialogue.

The music adds continuously rising high-pitched strings and electronic noise.

【00:13.5–00:17|Low-Angle Medium Shot · Climbing Onto the Fire Escape】

Cut to a low-angle medium shot from the side beneath the fire escape, clearly showing the female lead, the fixed toolbox, the lowest rung, and the direction of the alley entrance.

The female lead immediately dashes toward the fixed metal toolbox.

She plants her right foot on the edge of the toolbox first. Her sole makes realistic contact with the metal surface, and the box gives off a dull metallic thud; her right leg pushes her body upward.

The female lead simultaneously reaches up with both hands.

Only after her body has risen do both hands grab the lowest rung of the fire escape. Her fingers close fully around it, her arms bear her weight, and her body swings slightly forward with the momentum.

She tightens her core, pushes off the wall with her left foot, lifts her right knee, and begins pulling herself toward the fire escape platform.

Pursuer A rushes closer from the edge of the frame and reaches for the female lead's right foot.

His hand reaches it only after she has drawn her leg in. It misses by about twenty centimeters; there is no physical contact. Feeling him close in, the female lead jerks her leg up, and her sole sweeps just above A's palm.

A, having failed to grab her, takes one extra step forward, then regains his balance. He must not fall for no reason.

【00:17–00:20|Low-Angle Wide Shot · Temporarily Escaping】

Cut to a static low-angle wide shot from the bottom of the alley.

Using the strength of her arms and her feet pushing against the wall, the female lead pulls her entire body onto the first-level fire escape platform. Her chest, abdomen, and knees pass over the edge of the platform in sequence; she must not appear on the platform instantly.

Pursuers A, B, and C arrive beneath the fire escape one after another. The group remains at exactly 3 people. All three look up, searching for a route to continue the chase.

The female lead quickly stands, grabs the railing above, and continues climbing to a higher level. She glances down once. Her expression shows not triumph, but breathlessness, tension, and the alertness of someone who cannot afford to stop.

The camera tilts upward slightly, following her as she climbs out through the top of the frame.

The final shot retains the swaying metal fire escape, the three pursuers below, and the wet brick wall. The fire escape gives off a loud metallic rattle. The music hits a single strong accent at 20 seconds and then cuts off immediately, leaving the chase unresolved.

【Music and Location Sound】

Use lyric-free urban action-thriller instrumental music:

Low, heartbeat-like pulses
Fast electronic beats
Deep drum hits
Gradually rising high-pitched strings
A single strong accent at the end.

The music enters at low volume at 0 seconds, adds a beat as the chase accelerates at 2.5 seconds, increases the tension when she enters the dead end at 9.5 seconds, reaches its peak as she climbs at 13.5 seconds, then stops abruptly with the loud metallic rattle of the fire escape at 20 seconds.

The music must not drown out the realistic location sound.

Must include:

Four sets of running footsteps at different distances
The female lead's increasingly hurried breathing
The sound of shoes splashing through water
The slight rattling of the bicycle
The dull thud of a shoe contacting the metal toolbox
The friction sound of hands gripping the fire escape rung
The continuous metallic rattling of the fire escape
Distant traffic and urban ambient noise
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Model
Seedance 2.0
Format
16/9
Author
@liyue_ai
Original
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