Two women in hanfu stand in a mountain world as a wave of mist rolls in from afar and opens a new path beneath their feet, because here roads move

Prompt

PROMPT:
1. Core Style

Cinematic photorealistic quality, purely classical Chinese xianxia aesthetics.
Environmental storytelling is the main character, blending:
Restrained deadpan humor

Grand spatial scale
Elegant wuxia body language
Physically coherent atmospheric conditions
Volumetric depth
Fine film grain
Realistic silk fabric and hair movement
Hard rule: Absolutely prohibit the “characters are acting while the background is just a moving set” approach.

2. Environmental Direction Plan

Before generating characters and storyboards, internally plan the environment using all reference images uploaded for this prompt.

The reference images are not fixed compositions to mechanically reproduce, but visual evidence for building the world.
Synthesize and reorganize the following information:

Terrain logic
Architectural vocabulary

Scale hierarchy
Material systems
Weather systems
Vegetation
Bodies of water
Cloud and mist patterns
Reflective surfaces
Direction of the main light source
Unified wind field
Acoustic depth
Paths of movement
Relationships between foreground, midground, and background
Based on this information, reorganize them into a complete space that is:
Entirely new

Unique

Physically plausible
Suitable for cinematic blocking
Not a static backdrop
Even when using the same set of reference images, you may redesign:

The spatial relationships between architecture and terrain

Occlusion relationships

Visual axis
Reveal method
But do not mechanically repeat the previous version’s spatial composition.
3. Main Environmental Event Rules

Select only one main environmental event that best fits the world of the references.

Rules

Never combine multiple unrelated weather effects indiscriminately

There can only be one main event
This main event must have a complete timeline
It begins in the distance → propagates into the midground → finally reaches the characters
It must leave visible changes in the state of everything it passes through
All other environmental elements may only respond as physical consequences of this main event
They must not each move independently
Possible types
Based on the actual reference images, adaptively select only one:
Advancing bank of mist
Moving cloud shadow
Wind moving in from afar

4. Character Lock

Character A | Senior Sword Immortal Disciple
East Asian woman, 25–30 years old, oval face, naturally fair skin, dark almond-shaped eyes, long black hair half-up, secured with a white jade hairpin, tall and slender.
Wears a white embroidered silk hanfu, layered translucent wide sleeves, a silver belt, a jade pendant, and white cloth boots.
Character B | Junior Disciple
East Asian woman, 20–25 years old, lively, softly rounded face, braided black hair, petite build.
Wears a teal-green linen hanfu, dark belt, wooden hairpin, and black cloth shoes.
5. Storyboard Design

Shot 1 | 0–5s | Wide or long shot
Use a slow, observational dolly-in to first establish the complete, newly planned living world.
Show both women in full, from shoes to head.

Visual Requirements

Do not let all environmental elements move aimlessly at the opening
Use approximately the first 1 second to establish a clear initial environmental state

Make it clear to the viewer what this world was originally like
Main event begins

Then, in the far distance, the single main environmental event begins in earnest.
If mist best suits the reference world:

Have a whole directional, volumetric bank of mist advance from afar
If cloud shadow best suits the reference world:
Have the boundary of a massive cloud shadow move along the actual terrain
If wind best suits the reference world:
First show the distant environmental layers reacting, then have a clearly directed wind field propagate toward the characters layer by layer

Key Constraints

Clearly show that “the distant background changes first”

At this point, the characters are completely unaffected

Their sleeves, hair, and posture must not respond prematurely

Action and Dialogue

The same junior disciple looks ahead, searching for a path.
The same senior sword immortal disciple does not look at her and says calmly:

“别找路，等它自己开。”
Shot 2 | 5–10s | Medium-long shot transitioning to cowboy shot
The same main environmental event genuinely propagates into the midground.
Required Structural Changes
It must do more than simply drift past; it must substantially alter the composition:
Spatial layers that were initially obscured gradually become visible

Another part of the space is swallowed again
Reflective relationships change

The spatial reverberation changes as spaces open and close

Light or atmospheric depth changes plausibly

A temporarily passable corridor of space forms naturally as a result of the environmental event

Camera Requirements

The camera makes one very subtle reframing because “the world itself has changed,”
rather than following the characters the entire time.

Character Action Timing
The women do not begin reacting until the passage formed by the environmental change has truly reached their feet.
Dialogue
The same junior disciple asks quietly:
“路会动？”
The same senior sword immortal disciple replies calmly:
“这里的路，会。”

Physical Constraints
The characters’ sleeves and hair must not respond prematurely from the first second

They must only be affected after the same environmental force has physically propagated to their location

Continuity at the End

The final 0.5 seconds must form a clear, stable frame for the continuation:

The newly opened passage begins right in front of the two women

The same main environmental event continues moving deeper into the space

The new spatial state it leaves behind remains in place

The two women stand at the entrance, ready to enter

The camera is stable
The world must absolutely not return to its opening state
6. Output Specifications
16:9 landscape

Natively synchronized Mandarin dialogue

Emphasize environmental sounds with realistic direction, distance, and propagation delay
Restrained, cinematic camera movement
Only two visible characters at all times
No subtitles
No modern elements
7. Negative
blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, frozen background, static environment, lifeless background, flat backdrop, wallpaper-like architecture, static clouds, looping fog, generic ambient motion, every environmental element moving at the same speed, simultaneous random weather effects, multiple unrelated environmental events, no environmental propagation, environment reacting before cause reaches it, static lighting, random light flicker, inconsistent wind direction, contradictory reflections, atmosphere moving independently without cause, copied reference composition, repetitive scenery arrangement, random new architecture, impossible geography, environment resetting at the end, teleporting fog, popping clouds, sudden background replacement, extra people, modern

1. 核心风格

电影级写实质感，纯古风中国仙侠美学。
以环境叙事为第一主角，融合：
克制的冷面幽默

宏大空间尺度
优雅武侠身体语言
物理自洽的空气环境
体积纵深
细腻胶片颗粒
真实真丝衣料与发丝运动
硬原则： 彻底禁止“人物在演，背景只是会动的布景板”的生成方式。

2. 环境导演规划

在生成角色和分镜之前，先对本次上传的全部参考图执行一轮内部环境导演规划。

参考图不是机械复刻的固定构图，而是构建世界的视觉证据。
综合理解并重组以下信息：

地貌逻辑
建筑语汇

尺度层级
材质体系
天气系统
植被
水体
云雾规律
反光表面
主要光源方向
统一风场
声学纵深
通行动线
前景、中景、远景关系
基于这些信息，重新组织成一个：
全新

独特

物理合理
可进行电影调度
非静态背景板式
的完整空间。
即使使用同一批参考图，也允许重新设计：

建筑与地貌的前后关系

遮挡关系

视觉主轴
揭示方式
但不能机械重复上一版空间构图。
3. 主环境事件规则

只从参考世界中选择一个最合理的主环境事件。

规则

绝不能平均加入多种互不相关的天气效果

只能有一个主事件
这个主事件必须有完整时间线
 远景发生 → 传播进入中景 → 最终抵达人物位置
它经过之处必须留下可见状态变化
其他环境元素只能作为这个主事件的物理结果响应
不能各自动一点
可选类型
根据参考图实际情况，自适应只选一种：
雾潮推进
云影移动
风场传近

4. 角色锁定

角色 A｜剑仙师姐
25–30 岁东亚女性，椭圆脸，白皙自然肤色，深色杏眼，黑色长发半挽，以白玉簪固定，身材高挑纤细。
穿白色刺绣真丝汉服、半透明分层宽袖、银色腰封、玉佩、白色布靴。
角色 B｜小师妹
20–25 岁东亚女性，圆润灵动脸型，黑发编辫，身形娇小。
穿青绿色亚麻汉服、深色腰带、木簪、黑色布鞋。
5. 分镜设计

Shot 1｜0–5s｜全景或远景
采用缓慢、观察式推轨，首先建立经过重新规划后的完整活世界。
两个人从鞋到头完整出现。

画面要求

开场不要让所有环境元素无意义乱动
前约 1 秒先建立清楚的初始环境状态

让观众明确知道这个世界原本是什么样
主事件启动

随后，在空间极远处，唯一的主环境事件正式开始。
如果参考世界最适合雾：

让一整股具有方向 and 体积的雾潮从远处推进
如果最适合云影：
让一道巨大的云层阴影边界沿真实地形移动
如果最适合风：
通过远方环境层级先产生反应，让一股明确方向的风场逐层传近

关键约束

必须清楚表现“远景先变化”

此时人物完全没有受到影响

人物衣袖、发丝、站姿不要提前响应

动作与对白

同一个小师妹观察前方，寻找通路。
同一个剑仙师姐没有看她，只平静说道：

“别找路，等它自己开。”
Shot 2｜5–10s｜中远景转牛仔景
同一个主环境事件真正传播进入中景。
必须发生的结构变化
它不能只是简单飘过，而要实质改变画面结构：
原本被遮住的空间层级逐渐显露

另一部分空间重新被吞没
反光关系发生改变

空间混响随开合发生变化

光线或空气纵深产生合理变化

一个临时可通行的空间走廊随着环境事件自然形成

摄影机要求

摄影机因为“世界本身发生改变”而进行一次非常轻微的重新构图，
不能永远只追着人物。

人物动作时机
直到这条由环境变化形成的通路真正抵达两个人脚下，两人才开始产生动作反应。
对白
同一个小师妹低声问：
“路会动？”
同一个剑仙师姐平静回答：
“这里的路，会。”

物理约束
人物衣袖和发丝不能从第一秒就提前响应

必须等同一股环境力量真实传播到她们的位置之后才受到影响

结尾续接状态

最后 0.5 秒必须形成清楚、稳定的续接画面：

新打开的通路正从两人脚前开始

同一个主环境事件仍继续向更深处运动

它经过后形成的新空间状态仍然存在

两人站在入口处准备进入

摄影机稳定
世界绝不能恢复成开场状态
6. 输出规格
16:9 横屏

原生同步普通话对白

强化具有真实方向、距离 and 传播延迟的环境声音
摄影机运动克制 and 电影化
始终只出现两名可见角色
不生成字幕
不出现现代元素
7. Negative
blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, subtitles, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, hairstyle change, background shift, frozen background, static environment, lifeless background, flat backdrop, wallpaper-like architecture, static clouds, looping fog, generic ambient motion, every environmental element moving at the same speed, simultaneous random weather effects, multiple unrelated environmental events, no environmental propagation, environment reacting before cause reaches it, static lighting, random light flicker, inconsistent wind direction, contradictory reflections, atmosphere moving independently without cause, copied reference composition, repetitive scenery arrangement, random new architecture, impossible geography, environment resetting at the end, teleporting fog, popping clouds, sudden background replacement, extra people, modern

• Needs your photo: attach an image to the request — the prompt works with it.