Huge red-and-white koi carp swim through a golden sea of clouds above snowy mountains at sunset

Prompt

【Style】Top-tier natural history documentary cinematography, cinematic natural light, high-frame-rate slow motion
【Scene】A high-altitude mountain range shortly before sunset, with endless snow-covered peaks emerging from a dense sea of clouds. The sky gradates through gold, pale orange, and blue-gray. The clouds resemble a slowly undulating ocean; sunlight pierces through gaps in the clouds, creating enormous volumetric light shafts. Several red-and-white koi, each several kilometers long, swim slowly inside the clouds, their scale patterns barely visible.
[00:00–00:02.5] Shot 1: Disturbance in the sea of clouds (Vertical Aerial Establishing Shot, extreme telephoto aerial shot) Reference a vertical high-altitude wide shot. The camera slowly rises from behind a snow-covered mountain peak. In the foreground are sharp black rock faces and tiny windblown snow particles; in the midground, a churning golden sea of clouds; in the distance, mountain ranges receding in successive layers. An immense red-and-white silhouette appears beneath the clouds, as if some ancient creature were slowly swimming deep within the sea of clouds. Its body pushes up the cloud surface, forming an arcing ridge several kilometers long. The camera inches closer. A huge translucent fin briefly pierces the cloud layer, then quickly sinks back into it. Tiny droplets cling to the edge of the fin, glint in the sunlight, then dissolve into floating particles of mist.
[00:02.5–00:05.2] Shot 2: Giant koi leaps out of the sea of clouds (High-Speed Telephoto Tracking, 240fps slow motion) A giant red-and-white koi, several kilometers long, suddenly leaps out of the sea of clouds. Side-on tracking shot with an extreme telephoto lens. The koi’s body forms an elegant arc in the air; its head breaks through the clouds first, and the heavy mist explodes outward like ocean waves. Clouds rapidly stream off its head, gill covers, and back, forming enormous white waterfalls of fluid mist. Slow motion clearly captures: the koi’s gill covers slowly opening and closing; its pectoral fins gently moving in the air; the belly scales shifting slightly as the body twists; a wet film of water covering the red-and-white scales; thousands of droplets flung from the tips of the fins, turning into golden points of light in the backlight. The koi’s swimming must follow the biomechanics of a real fish: it should not look like a flying dragon or flap its wings, but swim through the clouds as if in the deep sea, with continuous undulations of the spine, caudal peduncle, and tail fin.
[00:05.2–00:07.8] Shot 3: Close-up of scales and eye (Extreme Wildlife Close-Up, Macro Telephoto Lens) Cut to an extreme close-up right beside the koi’s head. Reference: an enormous amber eye fills the upper half of the frame. The surface of the eyeball is wet and transparent, clearly reflecting the sunset, snow-covered mountains, and the clouds where the camera is positioned. The koi slowly rotates its eyeball, and its pupil reflects a sharp golden ray of light. The focus smoothly shifts from the eye to the scales on its face: every scale has fine growth lines; the red areas show gradients of deep red, vermilion, and orange-gold; the white scales have a subtle pearlescent sheen; tiny droplets and mist remain between the scales; the edges of the gill covers rise and fall slightly with each breath. A wisp of cloud drifts across the koi’s cheek, briefly obscuring the eye before the airflow carries it away. With shallow depth of field, the distant snow peaks and sunset form soft bokeh.
[00:07.8–00:10.0] Shot 4: Tail fin sweeps past the mountains (Low-Angle Wide Tracking Shot) The camera is positioned above the mountain peaks, following the koi swimming toward the sky from a low angle. Reference: the giant koi glides over the camera; the white scales on its belly reflect the cold light of the sky, while the sunset traces a golden outline around its red markings. Its thick caudal peduncle slowly bends, and its enormous tail fin sweeps across the clouds. As the tail fin sweeps through, the sea of clouds is pushed aside into a huge circular vortex, sending several cloud waves outward along the mountain valleys. Tiny ice crystals, water droplets, and mist particles fly toward the camera, creating a strong sense of depth. The koi gradually dives into the golden clouds at a higher altitude, with only the tip of its tail fin remaining visible briefly. Once the clouds close, a huge ripple slowly spreads across the sky. Final frame freeze: the koi’s tail fin is about to disappear completely into the sea of clouds; sunlight shines through the translucent fin membrane, revealing fine blood vessels, the fin-ray structure, and droplets along the edge. 【Vertical Composition Requirements】Make vertical space the focus of the frame, emphasizing the vertical layers of “mountain peaks—sea of clouds—giant koi—sky.” In wide shots, the koi leaps out of the clouds in the lower part of the frame and moves into the upper-middle area; in close-ups, place the eye in the upper third of the composition; in the final shot, have the tail fin sweep from the center of the frame toward the top to heighten the impact of the vertical format. The subject must not remain centered at all times; preserve the tracking composition and slight focus corrections typical of authentic nature documentaries, avoiding the staged feel of a commercial advertisement.
【Cinematography and Lighting Requirements】Authentic high-altitude natural light, sunset backlighting, clouds and mist with realistic volume, density, and momentum. The koi must interact realistically with its surroundings, including occlusion, cast shadows, disturbance of the cloud layer, flying droplets, and glass-like wet reflections. Use cinematography techniques common to nature documentaries: spatial compression with an extreme telephoto lens, stable aerial photography, rapid focus tracking, selective shallow depth of field, slow motion, and extreme wildlife close-ups. 【Sound Design】The opening features high mountain wind, distant low thunder, and the faint sound of snow particles striking surfaces. As the koi swims beneath the clouds, add low-frequency vibrations reminiscent of deep-sea whale calls, but quieter and more mysterious. As it breaks through the clouds, add the heavy sound of mist parting and a low rush of water. During the close-up, emphasize the faint sounds of the gill covers breathing, scales rubbing, and droplets sliding off. As the tail fin sweeps through the clouds, add a powerful but not exaggerated low-frequency rush of air; at the end, return to the vast, quiet sound of high mountain wind.
【Negative Prompt】Cartoon koi, anime style, game CGI, plastic fish, balloon fish, flying-dragon movements, birdlike wing flapping, growing wings, serpentine body, incorrect fins, extra fins, deformed scales, deformed eyes, deformed mouth, sudden change in the number of koi, subject flickering, size changing drastically, passing through mountains, no interaction with the clouds, clouds like cotton, cheap visual effects, neon glowing fish, magical energy, surrounded by lightning, oversaturated, excessive glow, violent camera shake, rapid random cuts, low resolution, blurry textures, watermark, subtitles, logo.

【风格】顶级自然纪录片摄影语言，电影级自然光，高帧率升格慢动作 
【场景】日落前的高海拔群山，连绵雪峰从厚重云海中露出，天空呈金色、淡橙色与青灰色渐变。云层像缓慢起伏的海洋，阳光从云隙中穿透，形成巨大体积光柱。数条体长数公里的红白锦鲤潜游在云层内部，鳞片轮廓若隐若现。
 [00:00–00:02.5] 镜头1：云海异动 （Vertical Aerial Establishing Shot，超长焦航拍） 参考竖屏高空远景，镜头从一座覆雪山峰后方缓慢升起，前景是锋利的黑色岩壁与被风吹起的细小雪粒，中景是翻涌的金色云海，远处群山层层递进。 云层下方出现一道极其庞大的红白色轮廓，像某种远古生物正在云海深处缓慢游动。云层表面被它的身体顶起，形成长达数公里的弧形隆起。 镜头轻微推近，一片巨大的半透明鱼鳍短暂穿透云层，又迅速沉入其中。鱼鳍边缘挂着细小水珠，水珠在阳光中闪烁，随后化为漂浮的云雾粒子。
 [00:02.5–00:05.2] 镜头2：巨鲤跃出云海 （High-Speed Telephoto Tracking，240fps升格慢动作） 一条数公里长的巨型红白锦鲤突然从云海中跃出。 侧面超长焦跟拍，锦鲤身体在空中形成优雅弧线，头部率先冲破云层，厚重的云雾像海浪一样向两侧炸开。云雾沿着鱼头、鳃盖和背部快速滑落，形成巨大的白色流体瀑布。 升格慢动作清晰捕捉： 锦鲤鳃盖缓慢开合； 胸鳍在空气中柔和摆动； 腹部鳞片随着身体扭转产生细微错位； 红白相间的鳞片表面覆盖着湿润水膜； 数千颗水珠从鳍尖甩出，在逆光中变成金色光点。 锦鲤的游动姿态必须符合真实鱼类生物力学，不像飞龙，不拍打翅膀，而是通过脊柱、尾柄和尾鳍连续摆动，在云层中像在深海中游泳。
 [00:05.2–00:07.8] 镜头3：鳞片与眼睛特写 （Extreme Wildlife Close-Up，Macro Telephoto Lens） 镜头切换至贴近锦鲤头部的极端特写。参考 巨大的琥珀色眼睛占据画面上半部分，眼球表面湿润透明，清晰倒映出夕阳、雪山和摄影机所在的云层。 锦鲤缓慢转动眼球，瞳孔反射出一道锐利金色光线。 焦点从眼睛平滑转移至面部鳞片： 每一片鳞片都具有细密生长纹； 红色区域呈现深红、朱红与橙金渐变； 白色鳞片带有淡淡珍珠质感； 鳞片缝隙间残留着细小水珠与云雾； 鳃盖边缘随着呼吸轻微起伏。 一缕云雾从锦鲤脸颊前飘过，短暂遮住眼睛，又被气流卷走。浅景深下，远处雪峰与夕阳形成柔和散景。 
[00:07.8–00:10.0] 镜头4：尾鳍扫过群山 （Low-Angle Wide Tracking Shot） 镜头位于山峰上方，以仰拍视角跟随锦鲤向天空游动。参考 巨型锦鲤从摄影机上方掠过，腹部白色鳞片反射 cold 色天光，红色斑纹被夕阳勾勒出金色轮廓。 它粗壮的尾柄缓慢弯曲，巨大尾鳍横扫云层。 尾鳍扫过的瞬间，云海被推开成一个巨大的环形漩涡，数道云浪沿山谷向外扩散。细小冰晶、水珠与云雾粒子飞向镜头，形成强烈纵深感。 锦鲤逐渐潜入更高处的金色云层，只留下尾鳍末端短暂可见。云层闭合后，天空中出现一圈缓慢扩散的巨大涟漪。 最后一帧定格：锦鲤尾鳍即将完全没入云海，阳光穿过半透明鳍膜，能看到细密血管、鳍条结构和边缘水珠。 【竖屏构图要求】 画面以纵向空间为核心，突出“山峰—云海—巨型锦鲤—天空”的垂直层次。 远景镜头中，锦鲤从画面下方云层向中上部跃出；特写镜头中，眼睛位于上三分之一构图区域；结尾镜头让尾鳍由画面中央扫向顶部，增强竖屏冲击力。 主体不能始终居中，保留真实自然纪录片的追踪构图和轻微失焦修正，避免商业广告式摆拍感。 
【摄影与光影要求】 真实高海拔自然光，日落逆光，云雾具有真实体积、密度和流动惯性。锦鲤必须与环境产生真实互动，包括遮挡、投影、云层扰动、水珠飞散和玻璃般的湿润反光。 使用自然纪录片常见摄影手法：超长焦压缩空间、稳定航拍、快速追焦、局部浅景深、升格慢动作和极端生物特写。 【声音设计】 开场是高山风声、远处低沉雷鸣和细微雪粒撞击声。 锦鲤在云下游动时，加入类似深海鲸鸣的低频震动，但更轻、更神秘。 跃出云层时出现厚重的云雾破开声与低沉水流声。 特写阶段突出鳃盖呼吸、鳞片摩擦和水珠滑落的微弱声音。 尾鳍扫过云层时加入强烈但不夸张的低频空气震动，结尾恢复辽阔安静的高山风声。 
【负面提示词】 卡通锦鲤，动漫风格，游戏CG，塑料鱼，气球鱼，飞龙动作，鸟类振翅，长出翅膀，蛇形身体，错误鱼鳍，额外鱼鳍，畸形鳞片，眼睛变形，嘴部变形，锦鲤数量突然变化，主体闪烁，尺寸忽大忽小，穿过山体，云层无互动，云雾像棉花，廉价特效，霓虹发光鱼，魔法能量，闪电环绕，过度饱和，过强光晕，镜头剧烈抖动，快速随机切镜，低分辨率，模糊纹理，水印，字幕，Logo。