八格分鏡：抱著陶罐、留長辮的女主角在武俠風格的村莊庭院裡對抗四名襲擊者

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建立一張電影感分鏡參考表，由同一段連續 15 秒真人實拍武術鏡頭中的 8 個連續關鍵影格組成。每個影格都使用 @image1 作為主要主體。以最大程度的一致性保留她精確的臉部身份、臉部結構、髮型、服裝、鞋履、身體比例、膚色與皮膚質感。不要重新設計或替換她。

全域視覺風格：
超寫實真人實拍武俠大片質感、紮實的武術特技編排、符合實際的物理效果、真實的人體解剖結構、自然的動態模糊、電影感變形寬銀幕攝影、橢圓形散景、細微的水平鏡頭耀斑、溫暖的午後晚些時候逆光、低飽和大地色村落色彩、柔和的定向光線、真實的塵埃粒子、有機膠片顆粒、電影感高光過渡。16:9 電影寬銀幕。

角色一致性：
女主角穿著與 @image1 完全相同的服裝，並且始終攜帶恰好一個裝有液體的大型棕色上釉陶罐。陶罐全程保持完整。她的長辮隨著動量自然擺動。四名樸素、未持械的男性攻擊者在所有影格中保持一致。

環境：
傳統亞洲村落庭院，地面為夯實泥土，散落著塵土、稻草、曬衣架、懸掛的乾辣椒與玉米、堆疊的棕色陶罐、木推車，以及一隻活母雞。所有分鏡影格中的環境配置與光線都必須保持一致。

影格 1 — 0–2 秒 | 假裝絆倒 + 陶罐撞擊

動態的後側三分之四視角。女主角故意向前踉蹌，彷彿在攻擊者抓住她時失去平衡。她的身體壓低並偏離軸線，表情俏皮而專注。她隨即將大型陶罐水平揮向攻擊者一號的肋骨，同時支撐腳踢起一陣清晰可見的塵土。攻擊者二號已經進入畫面，並遭到陶罐低位反手擊中。強烈的動量感、真實的接觸效果，不要誇張的姿勢。

影格 2 — 2–4.3 秒 | 拳背 + 杯手 + 陶罐旋轉

短暫醉步搖晃期間的低角度動態攝影機視角。攻擊者二號揮拳，女主角則猛然向後閃避。她精準地以拳背擊中他的下巴，隨後立即將杯手擊向攻擊者三號的臉部。她開始進行緊湊的旋轉，利用陶罐作為平衡重量。液體在陶罐內明顯晃動。她的辮子在旋轉過程中自然甩動。

影格 3 — 4.3–7 秒 | 地面剪式腿 + 飛濺弧線

貼近地面掠過的攝影機視角。女主角向後倒下，進入受控的地面動作，施展剪式腿掃擊，使攻擊者二號失去平衡。她的腳跟將塵土踢向攻擊者三號的臉部，接著以小腿進行低位踢擊。她以陶罐作為手部支點向上翻滾。起身時，她將陶罐向上揮動，在攻擊者四號臉上濺出一道戲劇性的液體弧線。陶罐必須保持完全完整。

影格 4 — 7–9.8 秒 | 母雞干擾 + 旋轉踢擊

Create a cinematic storyboard reference sheet consisting of 8 sequential keyframes from the same continuous 15-second live-action martial-arts shot. Use @image1 as the PRIMARY SUBJECT in every frame. Preserve her exact facial identity, facial structure, hairstyle, clothing, footwear, body proportions, skin tone, and skin texture with maximum consistency. Do not redesign or replace her.

GLOBAL VISUAL STYLE:
Ultra-photorealistic live-action wuxia blockbuster realism, grounded martial-arts stunt choreography, practical physics, realistic human anatomy, natural motion blur, cinematic anamorphic photography, oval bokeh, subtle horizontal lens flare, warm late-afternoon backlight, muted earthy village colors, soft directional lighting, realistic dust particles, organic film grain, cinematic highlight roll-off. 16:9 cinematic widescreen.

CHARACTER CONSISTENCY:
The heroine wears exactly the outfit from @image1 and carries exactly ONE large brown glazed ceramic jar containing liquid. The jar remains intact throughout. Her long braid moves naturally with momentum. Exactly four rustic unarmed male attackers remain consistent across all frames.

ENVIRONMENT:
Traditional Asian village courtyard with packed dirt, scattered dust, straw, laundry rack, hanging dried chilies and corn, stacked brown ceramic jars, wooden cart, and one live hen. Maintain identical environment layout and lighting across all storyboard frames.

FRAME 1 — 0–2s | FALSE STUMBLE + JAR STRIKES

Dynamic three-quarter rear/side view. The heroine intentionally lurches forward as though losing balance beneath an attacker’s grab. Her body is low and off-axis, expression playful and focused. She immediately swings the large brown ceramic jar horizontally into attacker one’s ribs, while her planted foot kicks up a visible burst of dust. Attacker two is already entering the frame and receives a low backhand jar strike. Strong sense of momentum, realistic contact, no exaggerated poses.

FRAME 2 — 2–4.3s | BACKFIST + CUP-HAND + JAR SPIN

Low dynamic camera angle during a brief drunken sway. Attacker two throws a punch while the heroine snaps backward. She lands a precise backfist to his chin, then immediately flicks a cup-hand strike into attacker three’s face. She begins a tight rotational spin, using the ceramic jar as a counterweight. Liquid visibly sloshes inside the jar. Her braid whips naturally through the rotation.

FRAME 3 — 4.3–7s | GROUND SCISSOR + SPLASH ARC

Ground-skimming camera perspective. The heroine drops backward into a controlled ground maneuver and performs a scissor-leg sweep, taking attacker two off balance. Her heel kicks dust toward attacker three’s face, followed by a low shin kick. She rolls upward using the jar as a hand pivot. As she rises, she swings the jar upward, producing a dramatic arc of liquid across attacker four’s face. Jar remains completely intact.

FRAME 4 — 7–9.8s | HEN INTERRUPTION + ROTATIONAL KICK