穿實驗袍的野外科學家在爬滿藤蔓的叢林實驗室中逃離四公尺高的螳螂，並用電纜電擊牠

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Image1 是這位女性的精確形象：美麗的野外科學家，護目鏡推到頭髮上，穿著卡其色野外襯衫，袖子捲起，裡面搭配背心、工裝褲，以及掛著小瓶和手電筒的工具腰帶，實驗袍綁在腰間。保持她的臉部和服裝完全一致。Image2 是確切的場景：被植物吞噬的廢棄叢林實驗室，裂開的玻璃標本槽被藤蔓緊緊纏繞，日光燈管閃爍，設備翻倒，觀察窗碎裂，窗外瀰漫著叢林霧氣，電纜迸出火花。\n\nCREATURE：一隻巨大的螳螂，約 4 公尺高，覆蓋著光澤的綠褐色分節幾丁質外骨骼，巨大的帶刺捕捉前足，三角形頭部配有大型黑色複眼和不停抽動的觸角，動作帶著昆蟲般俐落急促的抽動。\n\nAction (15s, three clear beats, no clutter)：(0-5s) 科學家拿著手電筒，在實驗室工作台之間後退；巨大的螳螂從碎裂觀察窗旁的陰影中展開身軀，舉起帶刺前足，低頭朝她傾斜。(5-10s) 螳螂猛地揮下前足；她鑽到工作台底下，尖刺劈裂鋼鐵，接著抓起一個化學試劑燒杯朝牠砸去，液體濺中螳螂的眼睛，牠尖叫著向後仰起。(10-15s) 她朝門口衝刺，從牆上扯下一條迸著火花的斷裂電纜，抵住螳螂的腿；牠在電弧中抽搐，她趁牠在傾倒的標本槽間掙扎時溜了出去。\n\nCamera (technical)：Beat 1 — 緩慢而穩定地推近手持手電筒的她，接著平順地升高鏡頭，揭示正在展開身軀的螳螂。Beat 2 — 採用穩定的低角度，拍下她鑽到工作台底下、尖刺劈裂工作台的畫面；她擲出燒杯時，鏡頭旋轉 90 度，接著拉焦至飛濺的液體。Beat 3 — 平順地跟拍她跑向門口，迸出火花的電纜戳擊照亮場景，接著推近至她的臉部中景。運鏡平順、沉穩，35mm anamorphic lens，motion blur，帶有輕微手持攝影的重量感，沒有混亂晃動。\n\n流暢平順的 24fps 電影感動態，維持一致自然的影格率，帶有動態模糊但畫面流暢，沒有頓挫、卡格或掉格，沒有頻閃。\n\nLighting：閃爍的冷色螢光主光，混入叢林的綠色漫射光，深邃陰影，迸出火花的電纜與電弧形成強烈點綴光，薄霧。病態的綠色與青綠色調，Kodak Vision3 500T，35mm 顆粒，光暈，變形鏡頭耀光。緊張刺激的 1980 年代叢林實驗室怪物驚悚片風格。\n\nAudio：閃爍的日光燈嗡鳴聲與滴水聲，螳螂喀噠作響的細碎鳴聲，牠展開身軀時幾丁質外骨骼尖銳的刮擦聲，鋼製工作台裂開聲，玻璃碎裂聲，螳螂的尖叫聲，電纜的劈啪聲與電流聲，她驚慌的呼吸聲，以及緊繃低沉的管弦樂合成器節拍。

Image1 is the exact woman: beautiful field scientist, safety glasses pushed into her hair, khaki field shirt with rolled sleeves over a tank top, cargo trousers, a utility belt with vials and a flashlight, lab coat tied at the waist. Keep her face and outfit identical. Image2 is the exact location: an overgrown ruined jungle laboratory, cracked glass specimen tanks strangled by vines, flickering fluorescent tubes, overturned equipment, a shattered observation window with jungle mist, sparking cables.\n\nCREATURE: a colossal praying mantis, roughly 4 meters tall, glossy green-and-brown segmented chitin, huge spiked raptorial forearms, a triangular head with large black compound eyes and twitching antennae, moving in sharp insectile jerks.\n\nAction (15s, three clear beats, no clutter): (0-5s) The scientist backs between the lab benches with her flashlight as the colossal mantis unfolds from the shadows by the shattered window, its spiked forearms raised, head tilting at her. (5-10s) The mantis strikes a forearm down; she dives under a bench as the spike splits the steel, then she grabs a beaker of chemical and hurls it, splashing the mantis's eyes, and it rears back screeching. (10-15s) She sprints for the door, yanks a sparking severed cable from the wall and jams it against the mantis's leg; it convulses in the electric arc, and she slips out as it thrashes among the toppling tanks.\n\nCamera (technical): Beat 1 — a slow controlled push-in on her with the flashlight, then a smooth reveal craning up the unfolding mantis. Beat 2 — a controlled low angle as she dives and the spike splits the bench, a 90-degree arc as she hurls the beaker, rack focus to the splash. Beat 3 — a smooth tracking shot to the door, the sparking cable jab lighting the scene, then a push-in to a medium on her face. Smooth deliberate camera, 35mm anamorphic lens, motion blur, gentle handheld weight, no chaotic shake.\n\nSmooth fluid 24fps cinematic motion, consistent natural frame rate, motion-blurred but smooth, no stutter, no choppy or dropped frames, no strobing.\n\nLighting: flickering cold fluorescent key with green jungle spill, deep shadows, hot sparking-cable and electric-arc accents, haze. Sickly green and teal grade, Kodak Vision3 500T, 35mm grain, halation, anamorphic flare. Tense 1980s jungle-lab-creature-thriller.\n\nAudio: flickering fluorescent buzz and dripping water, the chittering clicks of the mantis, a sharp chitin-scrape as it unfolds, a steel bench splitting, shattering glass, the mantis's screech, the crackle and zap of the electric cable, her panicked breathing, a tense low orchestral-synth pulse.