空蕩鄉間公路上的不安場景：女子走遠於田野之間，水窪倒映出一隻畫出的監視之眼

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場景與氛圍：寧靜而詭異的鄉間道路場景。image2 中開闊的鄉間景致
真實自然，但 image1 的監視氛圍透過淺水窪中的倒影
滲入道路。孤寂、克制、寫實，令人不安。畫面配置：從 image2 中
道路上方的高處廣角視角開始，道路從下方前景延伸至中央深處的地平線。綠色田野向兩側延展，電塔遠遠矗立在
遠方，厚重的雲層佔滿天空。女子身形嬌小，位於畫面中央偏右下方，背對鏡頭行走。鏡頭在她身後降低時，讓道路維持為主要引導線。結尾時她位於中景中央，前景的一處水窪倒映著 image1 中一隻彩繪眼睛。主體一致性 image2：保留 image2 中獨自背對鏡頭的女子：深色長髮、無袖深色花紋洋裝、白鞋、纖瘦身形、安靜的步行姿態，以及映襯在景色中的嬌小身影。絕不露出她的臉。image2 中可見的身形、髮型、服裝、比例和剪影全程保持一致。不要添加包包、配件、新服裝，也不要讓她完全轉向鏡頭。跨畫面規則：讓女子始終走在同一條路上，背對鏡頭行走，身形比例和畫面位置保持穩定。維持相同的鄉間道路、綠色田野、電塔、雲層和自然日光色調。image1 中的眼睛只能出現在淺水窪的倒影中，絕不可作為實體坦克或田野中的物件出現。不要添加其他人物、車輛、動物、奇幻光芒或告示牌文字。動態：鏡頭 1（0–5 秒）：高處廣角空拍跟拍鏡頭，沿著鄉間道路上方向前滑行。女子緩慢地背對鏡頭行走。田野在微風中起伏，雲朵飄移，電塔保持在遠方，靜止不動。鏡頭 2（5–10 秒）：鏡頭在她身後降低，進入貼近地面的背後跟拍角度。洋裝下襬輕柔擺動，頭髮隨風飄動，肩膀隨呼吸起伏。瀝青路上的小水窪開始映出暗色弧形倒影，像是
image1 中彩繪的眼睛。鏡頭 3（10–15 秒）：鏡頭持續緩慢推進。她在道路中央停下，沒有轉身。風吹動田野，形成大片起伏的波浪。前景的一處水窪逐漸顯現清晰的彩繪眼睛倒影，位於她行進路線的正下方。鏡頭停下，固定在最後畫面。最後畫面：15 秒時，女子靜立於中景，背對鏡頭，位於道路中央，身處厚重雲層之下。綠色田野向兩側寬廣延伸，寧靜無聲，電塔在地平線上隱約可見。下方前景有一處淺水窪，映出 image1 中一隻清晰銳利的眼睛。鏡頭固定。畫面中不要有文字、字幕、告示牌字樣，也不要生成任何文字。場景底圖：以 image2 作為主要場景：鄉間柏油路、綠色田野、零星樹木、遠處電塔、厚重雲層、開闊地平線、自然的田野紋理、柔和的日光。image1 僅用於濕潤路面的倒影氛圍、冷灰色調，以及風化的彩繪眼睛細節。道路潮濕，但不要有鏡面般的光澤。輕微霧氣與柔和的空氣透視深度。

Scene & Mood: A quiet uncanny rural road scene. The open countryside from image2
feels real and natural, but the surveillance mood of
image1 leaks into the road through shallow puddle reflections. Lonely, restrained, realistic, unsettling. Frame Map: Start high and wide above the road from
image2 , road running from lower foreground to deep center horizon. Green fields stretch on both sides, pylons sit far in the distance, heavy clouds fill the sky. The woman is small, lower center right, walking away from camera. As the camera lowers behind her, keep the road as the main leading line. End with her centered in the middle distance and one foreground puddle reflecting a single painted eye from image1 . Subject Lock image2 : Preserve the lone rear view woman from image2 : long dark hair, sleeveless dark patterned dress, white shoes, slim body shape, quiet walking posture, small silhouette against the landscape. Her face is never revealed. image2 keeps the same visible body shape, hair, wardrobe, scale, and silhouette throughout. Do not add bags, accessories, new clothing, or a full turn toward camera. Cross Frame Rules: Keep the woman on the same road, walking away, with stable scale and screen position. Maintain the same rural road, green fields, pylons, cloud cover, and natural daylight palette. The eyes from image1 appear only as reflections in shallow puddles, never as literal tanks or objects in the field. No extra people, vehicles, animals, fantasy glow, or signage text. Movement: Shot 1 (0–5s): High wide elevated tracking shot glides forward above the rural road. The woman walks slowly away. Fields ripple in light wind, clouds drift, pylons remain distant and still. Shot 2 (5–10s): Camera lowers behind her into a grounded rear-follow angle. Her dress hem moves softly, hair shifts in the wind, shoulders rise and fall with breath. Small puddles on the asphalt begin catching dark curved reflections like the painted eyes from
image1. Shot 3 (10–15s): Camera continues a slow push. She stops in the middle of the road without turning around. Wind moves the fields in broad waves. One foreground puddle sharpens into a clear reflected painted eye, aligned beneath her path. Camera settles into a locked final hold. Last Frame: At 15 seconds, the woman stands still in the middle distance, back to camera, centered on the road under heavy clouds. Green fields stay wide and quiet on both sides, pylons faint on the horizon. In the lower foreground, one shallow puddle holds a crisp reflected eye from
image1 . Camera locked. No on screen text, no captions, no signage typography, no rendered text in the frame. World Plate: Use image2 as the main world: rural asphalt road, green fields, scattered trees, distant pylons, heavy clouds, open horizon, natural field texture, muted daylight. Use image1 only for wet road reflection mood, cool gray undertone, and weathered painted-eye detail. Road is damp, not mirror glossy. Mild haze and soft air dep