迷你貨車從智能手機中駛出，駛上桌面並將包裹直接送到手中

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建立一支連續 10 秒的超寫實電影感配送廣告影片，嚴格採用第一人稱 POV。攝影機代表觀眾的雙眼。畫面中只能出現兩隻男性的手；絕對不要顯示角色的臉或身體。完全按照參考分鏡執行。深色高級桌面、溫暖的電影感室內空間、真實反射、淺景深、橘白相間的迷你配送廂型車。快速、具實體感且充滿活力的動作，每個事件之間都要有清楚的連貫性。
0.0–1.3 秒 — 跟拍。雙手在桌面上方水平拿著一支智慧型手機。螢幕上：乾淨的深色導航地圖。一輛迷你配送廂型車沿著發光路線快速前往目的地。攝影機微微向手機推近。
1.3–2.4 秒 — 地圖轉變為真實 3D。不中斷、不剪接，智慧型手機內的平面地圖在手機內轉變為逼真的迷你 3D 道路。建築物與道路獲得真實的深度。同一輛廂型車從螢幕深處直接朝觀眾加速駛來。
2.4–3.5 秒 — 廂型車突破螢幕。廂型車抵達顯示器邊緣，並穿過螢幕平面實際駛出螢幕外。前輪先出現，接著整輛車駛出。從數位迷你模型到可觸摸的真實物體，產生強烈的立體轉換。它掉落到桌面上，懸吊系統在撞擊時真實地壓縮，頭燈掃過雙手與手機。
3.5–5.5 秒 — 近距離掠過。迷你廂型車立刻筆直朝第一人稱 POV 攝影機加速。雙手放開手機，並持續出現在畫面兩側附近。廂型車在雙手之間以極高速近距離衝過，險些撞上攝影機，接著做出俐落且受控的轉彎，在桌面上略微滑行，然後猛烈煞車，車尾朝向攝影機。強烈的速度變化、真實的車輪旋轉、懸吊物理、動態模糊與反射。
5.5–6.3 秒 — 車門開啟。廂型車只在觀眾前方很短的距離處停下。後車門朝攝影機方向啪地猛然打開。短暫的期待感 — 深色貨艙清楚可見。
6.3–9.6 秒 — 三個箱子的攻擊。三個紙製配送箱依序從廂型車後方猛烈地直接射向第一人稱 POV 攝影機。每個箱子一開始都在廂型車內呈現微小尺寸，並因極端透視效果，在飛向鏡頭時迅速放大其視覺比例。
第一個箱子朝觀眾的頭部射來 — POV 角色猛然向左閃避；箱子從右側以極近距離掠過時，攝影機與雙手一起向左移動。
緊接著第二個箱子射出 — 角色猛然向右閃避；第二個箱子從左側以極近距離飛過時，POV 向右移動。
不要停頓。第三個箱子筆直朝鏡頭中央發射，從微小 → 中型 → 大型 → 超大型迅速放大。不要閃避，雙手立即向前伸出，在攝影機正前方同時接住第三個箱子。清楚呈現實體撞擊：雙手因慣性略微向後彈，手指自然地抓住紙箱。
9.6–10.0 秒 — 最終畫面。保持乾淨、完成的主視覺畫面：接住的全尺寸紙製配送箱幾乎填滿整個影像，由雙手牢牢握住，並在第一人稱 POV 攝影機正前方完美置中。穩定的最終構圖，不要有未完成的動作，不要有其他物體進入畫面。
全程維持完全相同的廂型車、智慧型手機、雙手、環境與紙箱設計。真實的尺寸轉換與碰撞物理。必須清楚看見紙箱是從廂型車內部出現的。正好三個紙箱：閃避第一個、閃避第二個、接住第三個。不要有人物、臉部、多餘的手、文字疊加、字幕、隨機出現的標誌、瞬間傳送、變形的車輛、重複的紙箱、解剖結構錯誤或混亂剪接。, 16:9

Create a continuous 10-second hyperrealistic cinematic delivery commercial, strict first-person POV. The camera represents the viewer’s eyes. Only two masculine hands may appear; never show the character’s face or body. Follow the reference storyboard exactly. Dark premium tabletop, warm cinematic interior, realistic reflections, shallow depth of field, orange-and-white miniature delivery van. Fast, physical, energetic action with clear continuity between every event.
0.0–1.3s — TRACKING. Both hands hold a smartphone horizontally above the tabletop. On screen: a clean dark navigation map. A tiny delivery van rapidly follows a glowing route toward the destination. The camera subtly pushes closer to the phone.
1.3–2.4s — MAP INTO REAL 3D. Without a cut, the flat map transforms inside the smartphone into a photorealistic miniature 3D road. Buildings and road gain real depth. The same van accelerates directly toward the viewer from deep inside the screen.
2.4–3.5s — VAN BREAKS OUT. The van reaches the edge of the display and physically drives OUT through the screen plane. Front wheels emerge first, then the entire vehicle. Strong dimensional transition from digital miniature to a tangible real object. It drops onto the tabletop, suspension compresses realistically on impact, headlights sweep across the hands and phone.
3.5–5.5s — CLOSE PASS. The miniature van instantly accelerates straight toward the POV camera. Both hands release the phone and remain visible near the sides of frame. The van rushes extremely close between the hands, narrowly misses the camera, makes a sharp controlled turn, slides slightly across the tabletop, then brakes hard facing away from camera. Strong speed ramp, realistic wheel rotation, suspension physics, motion blur and reflections.
5.5–6.3s — DOORS OPEN. The van stops only a short distance in front of the viewer. Its rear doors SNAP open toward camera. Brief anticipation — the dark cargo compartment is clearly visible.
6.3–9.6s — THREE BOX ATTACK. Three cardboard delivery boxes FIRE violently from the rear of the van, one after another, DIRECTLY INTO THE POV CAMERA. Each box starts tiny inside the van and rapidly grows in apparent scale while flying toward the lens due to extreme perspective.
First box shoots toward the viewer’s head — the POV character sharply DODGES LEFT; camera and hands move left together as the box blasts past extremely close on the right.
Immediately the second box fires — the character sharply DODGES RIGHT; POV shifts right as the second box flies past extremely close on the left.
No pause. The THIRD box launches straight toward the center of the lens, rapidly growing from tiny → medium → large → oversized. Instead of dodging, both hands instantly reach forward and CATCH the third box simultaneously directly in front of the camera. Clear physical impact: hands recoil slightly backward from momentum, fingers grip the cardboard naturally.
9.6–10.0s — FINAL. Hold a clean finished hero frame: the caught full-size cardboard delivery box fills almost the entire image, firmly held by both hands, centered perfectly in front of the POV camera. Stable final composition, no unfinished motion, no additional objects entering frame.
Maintain ONE identical van, smartphone, hands, environment and box design throughout. Realistic scale transitions and collision physics. The boxes must clearly originate INSIDE the van. Exactly THREE boxes: dodge first, dodge second, catch third. No people, faces, extra hands, text overlays, subtitles, logos appearing randomly, teleportation, morphing vehicles, duplicated boxes, broken anatomy or chaotic cuts., 16:9