角色參考設定表：曬得黝黑、身穿褪色橄欖綠襯衫的日本男子，在灰色背景上呈現三個視角

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單一角色參考表照片，寬幅橫向格式，置於一整片連續、純色、平坦的中灰色背景上，背景完全均勻，沒有漸層，也沒有落在背景上的陰影。整張參考表由正面提供平坦、均勻的攝影棚光線，沒有戲劇性光線、輪廓光或色偏。同一個人的三個視角並排排列在這一張參考表上，間距均等，全部站在同一條不可見的地面線上，光線完全一致。主體 — 一名成年日本男子，帶有工作生涯已相當資深之人的疲憊外貌，身形精瘦結實，臉型修長狹窄，下顎關節明顯。暖色調肌膚，經陽光曬成棕色並受到風吹日曬，眼睛外角有日曬紋。狹長的內雙眼，筆直均勻的鼻樑，薄唇，輪廓分明的下顎。他的目光平視而從容，沉靜而安定。短黑髮，兩側貼近頭皮剪短，鬢角有幾根灰髮，從額頭向後梳。下顎和上唇上方有輕微、不均勻的鬍渣，已有幾天未刮。穿著褪色的橄欖綠棉質叢林襯衫，因長期穿著而變得柔軟且稀薄，袖子捲到略低於手肘的位置，最上方的鈕扣解開，使衣領在喉嚨處敞開而鬆垮；深卡其色工裝褲，配平貼式側袋；磨損的棕色皮革登山靴。他身上沒有任何種類的吊帶裝備：沒有腰帶、沒有扣環、沒有大腿環、沒有織帶、沒有繩索、沒有登山扣，身體任何地方的衣服外側都沒有綁著任何東西。鼻子的顏色始終與臉部其他部分完全相同：沒有紅色調、沒有粉色調、鼻尖沒有泛紅。肌膚乾燥且呈霧面：沒有汗水、沒有油光、沒有濕潤高光。左側視角 — 大型肖像，僅有頭部和肩膀。臉部正對攝影機，直視鏡頭 — 臉部為正面，不是轉開的角度。頭部輕輕向一側傾斜：頭頂朝主體自己的右肩傾斜，也就是朝畫面左側的那一邊肩膀傾斜。柔和地傾斜約十度，不可更多。肩膀保持水平。這個傾斜是必要的。這張肖像是參考表上大幅最大的一個元素：單獨的頭部高度至少是任一站立人物頭部高度的兩倍，並且從上到下大約填滿畫面左側三分之一。保留真實的細小毛孔、汗毛、鬍渣質感以及肌膚的自然不對稱。不要修圖，不要磨皮，不要美顏濾鏡。每隻眼睛中都有一個小而清晰的眼神光。中央視角 — 從頸部以下可見的全身人物，站直並面向攝影機，雙臂自然放在身體兩側，雙腳略微分開。人物在以下部位整齊地結束

A single character reference sheet photograph, wide landscape format, on one continuous plain flat mid-grey background, perfectly uniform with no gradient and no shadow falling on it. Flat even studio lighting from the front across the whole sheet, no dramatic light, no rim light, no colour cast. Three views of the same person are arranged side by side on this one sheet, evenly spaced, all standing on the same invisible ground line, all lit identically. THE SUBJECT — an adult Japanese man with the worn look of someone well into working life, lean and wiry, with a long narrow face and a visible jaw hinge. Warm-toned skin, tanned and weathered by sun, with sun lines at the outer corners of the eyes. Narrow hooded eyes, a straight even nose bridge, thin lips, an angular jaw. His gaze is level and unhurried, calm and settled. Short black hair cropped close at the sides, a few grey threads at the temples, pushed back off the forehead. Light patchy stubble across the jaw and upper lip, a few days old. He wears a faded olive-green cotton jungle shirt, softened and thinned by wear, sleeves rolled to just below the elbow, with the top button undone so the collar sits open and loose at the throat; dark khaki cargo trousers with flat side pockets; and scuffed brown leather hiking boots. He wears no harness of any kind: no waist belt, no buckle, no thigh loops, no webbing straps, no rope, no carabiner, nothing strapped over his clothing anywhere on his body. His nose stays exactly the same colour as the rest of his face: no red tint, no pink tint, no rosy tip. His skin is dry and matte: no sweat, no oily sheen, no wet highlights. LEFT VIEW — a large portrait, head and shoulders only. The face is square to the camera and looks straight into the lens — the face is frontal, not turned away. The head is tilted gently to one side: the crown of the head tips toward the subject's own right shoulder, which is the shoulder on the FRAME-LEFT side of the picture. A soft tilt of roughly ten degrees, no more. The shoulders stay level. This tilt is required. This portrait is by far the largest element on the sheet: the head alone is at least twice the height of either standing figure's head, and it fills roughly the left third of the picture from top to bottom. Keep the real fine pores, vellus hair, stubble texture and natural asymmetry of the skin. No retouching, no smoothing, no beauty filter. A small clear catch-light in each eye. CENTRE VIEW — a full-body figure from the neck down, standing straight and facing the camera, arms relaxed at the sides, feet slightly apart. The figure ends cleanly at the base of the n