數百名各年齡層的殖民者踏上宜居系外行星，結尾揭示這個世界其實是一場模擬

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建立一段 30 秒、1080p 的寫實硬科幻影片。一座人類殖民地走上宜居系外行星；最後揭示這個世界其實是一場模擬。無參考影像。
殖民地
數百名平民移民：女性、男性、老人、青少年、幼童。穿著暖色高飽和色彩——珊瑚色、芥末黃、翡翠綠、鐵鏽紅——柔軟機能布料製成的休閒未來風服裝。沒有頭盔、面罩或裝甲。許多人牽著手，父母抱著幼兒。表情各不相同：驚嘆、淚水、謹慎、安靜的笑聲。接近中央的位置，一名身穿深色合身制服的總指揮，與三名穿著相同制服的軍官一同走著。關鍵：每個人都必須是獨特的個體。不同的臉孔、身高、體型、膚色、髮型與服裝。不要重複的臉孔、複製的身體或同步行進。人群以不均勻的速度移動，分散成一個個群組；有些人停下來，其他人則繼續向前走。
行星
一座寬廣的宜居山谷，美麗但明顯不是地球。三十公尺高的螺旋狀葉片、擁有半透明樹冠的珊瑚狀樹木、由淡色帶狀草組成的草地、捕捉光線而飄浮的花粉。金色、翡翠綠與紫羅蘭色的色彩配置。太陽是一顆白矮星：深藍色天空中一個微小而極度明亮的光點，投射出邊緣分明的硬陰影與冷白光。全程呈現寫實材質——皮膚、織物紋理、灰塵、船體金屬。
攝影機
從人群後方高處開始，呈現無人機般的視角，沒有穩定效果，帶有自然漂移與顛簸。接著進行一次連續的上升與後拉：巨大的硬科幻殖民船進入畫面，斜坡已放下，可看見船體面板與散熱器，接著展現延伸至地平線的整片景觀。廣角鏡頭，深景深，無慢動作。
- 節拍 1
人群沿著斜坡湧下，散布在草地上。人們停下、抬頭仰望、轉身看向彼此。
- 節拍 2
攝影機持續上升並後退，直到殖民地變成巨大飛船與遼闊山谷下方一小片明亮的色彩散點。
- 節拍 3：關機
天空瞬間切換成黑色。不是日落，而是斷電。色彩褪去。一切在動作中間凍結一秒。
- 節拍 4：網格
發光的青藍色線框格狀結構在每個表面上點亮。黑色天空解析成一間有限的矩形房間之天花板與側牆，網格線在角落柔和地彎曲。地面變平，成為一個向後延伸、通往明確消失點的網格平面。地形、飛船與人群逐層溶解為線框並逐層刪除，只留下深海軍藍色中一間空無一物、發光的網格房間。切成黑畫面。
- 節拍 5：實驗室
硬切。夜晚，雷雨。一座企業大樓頂層的實驗室，落地窗展現下方反烏托邦的賽博龐克巨型城市，雨水落在玻璃上，閃電以頻閃效果照亮房間。一名男子斜躺在醫療沙發上，粗厚的纜線插入他頭骨與脊椎上的連接埠：堅硬且佈滿疤痕的臉、黑色莫霍克髮型、厚重的深色服裝。他睜開眼睛，凝視著 sc

Create a 30-second, 1080p photoreal hard sci-fi sequence. A human colony walks out onto a habitable exoplanet; at the end the world is revealed as a simulation. No reference image. THE COLONY Several hundred civilian settlers: women, men, elderly, teenagers, small children. Casual-futurist clothing in warm saturated colours - coral, mustard, jade, rust - soft technical fabrics. No helmets, no masks, no armour. Many hold hands, parents carry toddlers. Expressions vary: awe, tears, caution, quiet laughter. Near the centre a chief commander in a dark fitted uniform walks with three officers in matching uniform. CRITICAL: every person is a distinct individual. Different faces, heights, builds, skin tones, hair, clothing. No repeated faces, no cloned bodies, no synchronised marching. The crowd moves at uneven speeds, breaking into clusters, some stopping while others walk on. THE PLANET A wide habitable valley, beautiful but clearly not Earth. Spiral fronds thirty metres tall, coral-like trees with translucent canopies, meadows of pale ribbon-grass, drifting pollen catching the light. Palette of gold, jade and violet. The sun is a white dwarf: a tiny, intensely bright point in a deep blue sky, casting hard-edged shadows and cool white light. Photoreal texture throughout - skin, fabric weave, dust, hull metal. CAMERA Opens high behind the crowd, drone-like, no stabilization, natural drift and buffeting. Then one continuous rise and pull-back: the colossal hard-SF colony ship enters frame, ramp lowered, hull panelling and radiators visible, then the whole landscape to the horizon. Wide lens, deep focus, no slow motion. - BEAT 1 The crowd streams down the ramp and spreads across the grass. People stop, look up, turn to each other. - BEAT 2 The camera keeps climbing and retreating until the colony is a small bright scatter of colour beneath the enormous ship and the vast valley. - BEAT 3: SHUTDOWN The sky cuts to black instantly. Not a sunset, a power-off. Colour drains. Everything freezes mid-gesture for one second. - BEAT 4: THE GRID A glowing cyan wireframe lattice ignites over every surface. The black sky resolves into the ceiling and side walls of a finite rectangular room, grid lines curving softly at the corners. The ground flattens into a receding grid plane running to a hard vanishing point. Terrain, ship and people dissolve into wireframe and delete layer by layer, leaving an empty glowing grid room in deep navy. Cut to black. - BEAT 5: THE LAB Hard cut. Night, thunderstorm. A lab on the top floor of a corporate tower, floor-to-ceiling glass showing a dystopian cyberpunk megacity below, rain on the glass, lightning strobing the room. A man lies reclined on a medical couch, thick cables plugged into ports at his skull and spine: hard scarred face, black mohawk, heavy dark clothing. He opens his eyes, stares at the sc