全彩2.5D手繪動作動畫，帶有油畫粗筆觸與漫畫速度線：一場在破損城市道路上的追逐

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建立一部 30 秒、16:9、全彩的 2.5D 手繪動作動畫影片。

每個段落將原本 22 個鏡頭中的約 3–4 個鏡頭壓縮成一個連續的 5 秒節拍，並撰寫成可一次輸入影片生成工具的獨立提示詞區塊。

段落 1（0:00–0:05）— 追逐開始

2.5D 手繪動作動畫，16:9，全彩，油畫般粗獷的筆觸，三階調 cel shading，漫畫網點，乾筆刷速度線，溫暖的橘色夕陽光，搭配藍青色陰影與粉紫色環境反射。寬闊、破損的城市道路通往中央消失點，左側嵌入鐵軌，前景有水窪，左側是玻璃帷幕牆，右側是巨大的混凝土橋墩，遠處是暖色調的高樓，背景最遠處有一座巨大且靜止的城市雕像。

低機位攝影機貼近路面，以高速向後追蹤。一名雙手空著的纖細格鬥家——窄肩、細臂、蓬亂的白髮、眼下深紅色的霧面標記、深色內層外套著寬鬆的黑色連帽外套、寬鬆黑褲、輕便的深色鞋子——在畫面左側全速奔跑。他身後的畫面右側，一名纖細的白衣劍士正在追擊——短而蓬亂的黑髮、銳利的眼妝、寬袖白袍、高腰腰帶、黑色手套；左手握著一把武士刀，右手空著。鐵軌、水窪與建築以快速視差掠過。

中景：一輛普通的灰色轎車從他們身後失控衝出，輪胎搖晃，車身在龜裂的路面上劇烈彈跳，攝影機沿著道路中央線向前推進。

段落結尾：劍士向左滑步閃避轎車，將武士刀帶到身前；格鬥家以起步衝刺踏裂柏油路，躍過引擎蓋，攝影機猛然甩入橫向追蹤運鏡。

手繪的不均勻時間節奏，普通動作用二格拍與三格拍，爆發式躍起使用一格拍。沒有能量光暈，沒有發光刀刃——所有光線都來自夕陽與反射。高速電子鼓與失真的低音持續逐步增強；輪胎摩擦聲與引擎轟鳴和轎車的彈跳同步。

段落 2（0:05–0:10）— 空中交鋒

角色與道路場景沿用先前設定（黑衣、雙手空著的格鬥家，手持單把武士刀的白衣劍士，帶有橋墩與玻璃帷幕牆的破損城市道路）。2.5D 手繪風格，油畫筆觸，cel shading，網點，帶有青色陰影的溫暖夕陽色調。

攝影機猛然向上甩動。格鬥家在行駛中的轎車上方完全倒轉，頭下腳上；寬鬆的黑色外套與褲腳以延遲的跟隨動作飛舞，身體在天空前形成乾淨的弓形剪影。快速推近他的臉：他頭下腳上地懸掛著，蓬亂的白髮拂過額頭，臉上帶著克制而危險的笑容，眼下深紅色標記呈現平整的霧面質感。

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Generate a 30-second, 16:9, full-color 2.5D hand-drawn action animation film.

Each segment compresses roughly 3–4 of the original 22 shots into one continuous 5-second beat, written as a standalone prompt block you can feed into a video generation tool one at a time.

SEGMENT 1 (0:00–0:05) — The Chase Begins

2.5D hand-drawn action animation, 16:9, full color, oil-paint rough brushstrokes, three-value cel shading, manga screentone, dry-brush speed lines, warm orange sunset light with blue-cyan shadows and pink-purple ambient reflections. Wide broken city road at a central vanishing point, embedded rail tracks on the left, foreground puddles, glass curtain wall on the left, massive concrete bridge pillar on the right, warm-toned high-rises in the distance, a giant static city statue far in the background.

Low camera hugging the road surface, tracking backward at high speed. A slender bare-handed fighter — narrow shoulders, thin arms, choppy white hair, dark-red matte markings under his eyes, loose black hooded jacket over a dark inner layer, loose black pants, lightweight dark shoes, hands empty — sprints at frame-left. Behind him at frame-right, a slender white-robed swordsman — short choppy black hair, sharp eye makeup, wide-sleeved white robe, high-waist sash, black gloves — pursues holding a single katana in his left hand, right hand empty. Rails, puddles, and buildings streak past in fast parallax.

Mid-shot: an ordinary gray sedan barrels out of control from behind them, tires wobbling, body bouncing violently on the cracked pavement, camera pushing forward along the road centerline.

End of segment: the swordsman slide-steps left to dodge the car, bringing the katana in front of his body; the fighter cracks the asphalt with a launching stride and vaults up over the hood, camera whipping into a lateral tracking move.

Hand-drawn uneven timing, twos and threes on ordinary movement, ones on the burst vault. No energy glow, no glowing blade — all light from sunset and reflections. High-speed electronic drums and distorted bass building steadily; tire friction and engine roar synced to the car's bounce.

SEGMENT 2 (0:05–0:10) — Airborne Clash

Same characters and road setting as established (black-clad bare-handed fighter, white-robed swordsman with single katana, broken city road with bridge pillar and glass curtain wall). 2.5D hand-drawn style, oil-paint brushstrokes, cel shading, screentone, warm sunset palette with cyan shadows.

Camera whips sharply upward. The fighter flips fully inverted above the moving car, his loose black jacket and pant cuffs whipping with delayed follow-through, body forming a clean bow-shaped silhouette against the sky. Fast push-in on his face: hanging upside down, white choppy hair sweeping across his forehead, a restrained dangerous smile, dark-red under-eye markings in flat matte texture.

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