mozgi
Seedance 2.0
A Chinese fantasy comedy about two swordswomen who team up to haggle a bribe higher until the master claims a cut
Prompt
PROMPT: Seedance Prompt｜Bidding Up the Price I. Core Positioning Cinematic photorealism, purely classical Chinese xianxia aesthetics. Overall style: Sophisticated deadpan ensemble comedy Classical wuxia character blocking A negotiation that escalates step by step The rule of three Precise reaction shots Arri Alexa cinematic look Clear, stable facial micro-details Fine film grain Natural volumetric lighting The comedic core of this scene is a clear reversal of identity and allegiance: The enemy tries to bribe the junior sister with silver to make her betray her senior sister’s weakness. For the first few seconds, let the audience briefly wonder whether the junior sister is actually about to accept the money. Only then reveal that the two women are remarkably in sync, working together to “drive up the price” on the enemy. All supporting characters serve only as: Witnesses to the comedy Rhythmic punchline enhancers The true focus always belongs only to: Senior Sister in Image 1 Junior Sister in Image 2 II. Reference Control 1. Character Identity Anchors @Image 1 strictly locks Character ID A: Sword Immortal Senior Sister @Image 2 strictly locks Character ID B: Junior Sister 2. Environment References All background and location reference images uploaded this round jointly determine the same environmental DNA. Before formal composition, silently integrate the compatible elements of: Natural terrain Architectural language Spatial scale Materials Vegetation Bodies of water Weather Mountain mist Cloud cover Key light direction Reflections Atmospheric depth Physically plausible walkable routes Then redesign them as a: Unique to this round Fully unified Physically plausible Spatially continuous new space. 3. Environmental Principles The environment must remain vividly alive from beginning to end, while remaining absolutely neutral in the narrative. Elements that may move naturally throughout include: Wind Bodies of water Mountain mist Vegetation Reflections Distant disciples Ambient environmental sounds But the following principles must be observed: The environment must not trigger the plot The environment must not solve problems The environment must not create punchlines for the characters The environment must not interrupt the negotiation The environment may only provide a sense of a real, lived-in world III. Character Profiles Character ID A｜Sword Immortal Senior Sister The same Sword Immortal Senior Sister as @Image 1. East Asian woman, 25–30 years old, oval face, fair skin, dark almond-shaped eyes, long black hair half-up and secured with a white jade hairpin, tall and slender. Fixed appearance: White embroidered silk hanfu Translucent wide sleeves Silver waist sash Jade pendant White cloth boots A single silver longsword Character traits: Calm Dignified Steady in her reasoning Dead serious Completely unfazed by absurd situations Key performance requirements: When she hears the junior sister say “太少”, she must turn her head to look at her very slowly When she says “八十”, it should sound like a reasonable standard price When she says “我的弱点，不能卖便宜”, she must be completely serious When she pushes the silver toward the junior sister, her manner should be that of someone handling official business Character ID B｜Junior Sister The same Junior Sister as @Image 2. East Asian woman, 20–25 years old, round, lively face, black hair in braids, petite build. Fixed appearance: Teal-green linen hanfu Dark belt Wooden hairpin Black cloth shoes A single dark steel sword Character traits: Clever Quick to react Emotionally restrained Naturally in sync with her senior sister Her comedy comes mainly from being “absurdly serious” Key performance requirements: When she first looks at the silver, make the audience briefly suspect she might actually sell When she says “太少”, she must be calm and serious, not grinning When she nods at “八十”, it should look like she approves of a professional quote At the end, when she weighs the silver and says “怕我吃亏”, it must feel so natural that she is simply stating a fact Supporting Character 1｜Enemy Swordsman One man Responsible for initiating the bribe Confident at first, believing he is in control Begins to lose his bearings midway Completely frozen by the end Key performance requirements: “ 三十两，告诉我她的弱点” should be direct and practical At “五十”, he should clearly feel that he is raising his offer “八十！她到底怕什么？” should carry the pressure of someone losing patience At the end, as he looks at his empty hands, he should seem completely outmaneuvered Supporting Character 2｜Elderly Master One man Appears only at the end to deliver an authoritative final punchline His entrance must not steal focus His tone should be like he is casually handling sect bookkeeping Key performance requirements: “教训。” should sound like an objective conclusion “银子上交宗门三成。” must sound like an ordinary sect rule being announced He must not stop walking Do not turn him into an overtly comedic performer Distant Background Figures A few tiny disciples may appear in the distance They serve only to make the world feel inhabited They must not join the main plot They must not visibly watch the main characters They must not overreact to the joke IV. Key Props Silver ingots The same batch of silver Just a few ingots Naturally placed on the stone surface between the three characters Remain continuous and stable across the three shots Must have realistic metallic weight and reflections Longswords Senior sister: her one and only silver longsword Junior sister: her one and only dark steel sword Present throughout as identity-defining props This scene is not primarily about fighting; the focus is on the negotiation and reversal of allegiance V. Comedy Structure First Beat｜Misdirection The enemy offers thirty taels. The junior sister does not refuse immediately. She seriously studies the silver and says: “太少。” The audience briefly suspects she might really accept. Second Beat｜Escalation The enemy raises the offer to fifty. The senior sister suddenly joins in herself, raising the price: “八十。” The situation shifts from “bribery” to “negotiating together.” Third Beat｜The Reversal The enemy finally accepts the deal and asks about the senior sister’s weakness. The junior sister answers seriously: “怕我吃亏。” It turns out that this was never betrayal. The two women simply took advantage of the situation to “milk” him for money. Authoritative Final Punchline The master’s final lines: “教训。” “银子上交宗门三成。” This officially seals the absurd negotiation as sect business. VI. Storyboard 0–5s｜Wide or long shot Character ID A remains the same Sword Immortal Senior Sister as @Image 1. Character ID B remains the same Junior Sister as @Image 2. An enemy swordsman places a few silver ingots on the naturally situated stone surface between the three of them, then looks at the same junior sister and says: “三十两，告诉我她的弱点。” The same junior sister does not refuse immediately, but instead studies the few silver ingots with great seriousness, then calmly replies: “太少。” Hearing this, the same white-robed Sword Immortal turns her head to look at her very slowly. Camera requirements First establish the stable space and the positions of the three characters The silver must be clearly visible As the junior sister studies the silver, make the audience misjudge that she might be tempted The senior sister’s turn must be slow and deliberate Hold a moment of silence to let the punchline sink in 5–10s｜Medium shot or cowboy shot Keep the same two women, the same enemy, the same batch of silver, and exactly the same geography. The enemy clearly thinks he has a chance and adds more silver: “五十。” The same junior sister considers this seriously and is just about to speak, but the same Sword Immortal Senior Sister calmly speaks first: “八十。” Hold a full beat of silence. The enemy stares at her in disbelief: “我在买你的弱点，你还帮她抬价？” The senior sister replies without changing expression: “我的弱点，不能卖便宜。” The same junior sister actually nods solemnly, as if she very much approves of this price. Hold a clean reaction pause. Camera requirements “八十” must sound like an entirely matter-of-fact quote The enemy must visibly have his train of thought interrupted The junior sister’s nod must be very serious, further heightening the absurdity Preserve the pause; do not rush into the next line The background continues moving naturally but must never steal focus 10–15s｜Close-up or extreme close-up The enemy finally loses patience and pushes all the silver forward: “八十！她到底怕什么？” The same junior sister picks up a single silver ingot, weighs it seriously in her palm, then points to the senior sister as naturally as can be: “怕我吃亏。” Hold a full half-beat pause. The same Sword Immortal Senior Sister immediately pushes all the silver toward the junior sister and calmly says: “所以钱留下，人可以走了。” The enemy freezes completely: “那我买了什么？” The camera shifts focus to the same elderly master, who happens to be passing by several steps away. Without breaking stride, the master casually replies: “教训。” After walking two more steps, he adds in the same serious tone he would use for handling sect business: “银子上交宗门三成。” Extreme close-up: For the first time, the same senior sister and the same junior sister both whip their heads toward him at once and say in unison: “师父？” But the master keeps walking as if nothing has happened. Meanwhile, the enemy slowly looks down at his now-empty hands, then at the two women, completely unable to speak. Precise cut to black. Camera requirements The junior sister’s “怕我吃亏” must feel natural and land like a definitive punchline The senior sister’s push of the silver must be quick, reasonable, and clean The master’s final punchline must feel like he is casually taking a cut The line “师父？” must be synchronized, clean, and brief End on the enemy’s completely speechless face VII. Performance Rhythm Requirements Senior Sister Completely serious throughout The more she seems to be handling a perfectly ordinary transaction, the funnier it is Do not smile of her own accord Do not explain the absurdity Both raising the price and wrapping things up must feel strictly businesslike Junior Sister Responsible for misleading the audience in the first half In the middle, forms a tacit conspiracy with the senior sister In the latter half, completes the reversal of allegiance with the single line “怕我吃亏” Her expression remains clever and restrained throughout Enemy Feels in control at first Confused midway Completely loses the ability to make sense of things by the end His reactions should escalate in stages, but never become exaggerated or implausible Master Responsible only for the final two lines Should seem like a sect elder casually handling the accounts The calmer he is, the more devastating the punchline VIII. Cinematography and Spatial Requirements 16:9 landscape Three continuous, clear shots Arri Alexa cinematic look Clear, stable image Facial details clearly readable Natural volumetric lighting Fine film grain Allow enough time for comedic pauses Precise reaction shots Maintain natural parallax between foreground, midground, and background The silver ingots, character positions, and spatial relationships must remain stable and continuous IX. Audio Requirements Native, synchronized Mandarin dialogue Precise lip sync Clear comedic pauses Realistic ambient sound The background wind, water, mountain mist, vegetation, and sounds of distant disciples remain naturally present throughout Do not generate subtitles X. Technical Specifications Total duration: 15 seconds Aspect ratio: 16:9 landscape Three continuous, clear shots Native, synchronized Mandarin dialogue Precise lip sync Clear comedic pauses Character identities, clothing, longswords, silver ingot props, supporting character positions, and spatial layout remain stable throughout Gaze and hand movements are clear and believable Silk fabric and hair behave with realistic physics Maintain natural parallax between foreground, midground, and background, with realistic spatial audio Overall, structure the prompt according to Seedance 2.0’s official capabilities for 15-second multi-shot audio-video generation and multimodal reference continuity XI. Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props
Seedance 提示词｜抬价 一、核心定位 电影级写实质感，纯古风中国仙侠美学。 整体采用： 高级群像冷面喜剧 古典武侠人物调度 逐级加码的谈判节奏 三拍法则 精准反应镜头 Arri Alexa 电影机质感 清晰稳定的面部微细节 细腻胶片颗粒 自然体积光 本段喜剧核心是一次清楚的身份与立场反转： 敌人企图用银子收买小师妹，让她出卖师姐的弱点。 前几秒先让观众短暂怀疑小师妹是不是真的准备收钱。 随后才揭晓，这两个女人竟然极其默契地一起帮敌人“抬价”。 所有配角只作为： 喜剧见证者 节奏补刀者 真正主体始终只属于： 图一师姐 图二小师妹 二、参考控制 1. 人物身份锚点 @图片 1 严格锁定角色 ID A：剑仙师姐 @图片 2 严格锁定角色 ID B：小师妹 2. 环境参考 本轮新上传的全部背景与地点参考图，共同决定同一套环境 DNA。 正式构图前，先无声整合彼此兼容的： 真实地形 建筑语言 空间尺度 材质 植被 水体 天气 山雾 云层 主光方向 反光关系 空气纵深 真实可行走路线 然后重新规划成一个： 本轮独有 完整统一 物理合理 空间连续 的新空间。 3. 环境原则 环境必须从头到尾持续鲜活，但在叙事上绝对中立。 允许自然持续运动的元素包括： 风 水体 山雾 植被 倒影 远处弟子 空间环境声 但必须遵守以下原则： 环境不能触发剧情 环境不能解决问题 环境不能替角色制造包袱 环境不能打断谈判 环境只能提供真实世界存在感 三、角色设定 角色 ID A｜剑仙师姐 同一个 @图片 1 剑仙师姐。 25–30 岁东亚女性，椭圆脸，白皙肤色，深色杏眼，黑色长发半挽，以白玉簪固定，身材高挑纤细。 固定造型： 白色刺绣真丝汉服 半透明宽袖 银色腰封 玉佩 白色布靴 唯一一柄银色长剑 人物气质： 冷静 端庄 逻辑稳定 一本正经 对荒诞局面毫不脸红 关键表演要求： 听到小师妹说“太少”时，必须非常缓慢地转头看她 说“八十”时要像报一个合理公价 说“我的弱点，不能卖便宜”时必须完全严肃 推银子给小师妹时，态度要像处理正事 角色 ID B｜小师妹 同一个 @图片 2 小师妹。 20–25 岁东亚女性，圆润灵动的脸，黑发编辫，身形娇小。 固定造型： 青绿色亚麻汉服 深色腰带 木簪 黑色布鞋 唯一一柄深色钢剑 人物气质： 聪明 反应快 情绪克制 和师姐有天然默契 喜剧功能主要来自“认真得离谱” 关键表演要求： 她先观察银子时，必须让观众短暂怀疑她可能真的会卖 说“太少”时平静认真，不能嬉皮笑脸 对“八十”点头时要像认可专业报价 最后掂银子、说“怕我吃亏”时必须自然到像在陈述事实 配角 1｜敌方剑客 一名 负责发起收买 起初自信，以为自己掌控局面 中段开始不理解 后段彻底僵住 关键表演要求： “三十两，告诉我她的弱点”要直接、务实 “五十”时要明显觉得自己在加码 “八十！她到底怕什么？”要带失去耐性的压迫感 最后看着空掉的双手时，要像整个人都被绕进去了 配角 2｜年长师父 一名 只在最后负责一记权威补刀 出场不能抢戏 语气要像顺手处理宗门账务 关键表演要求： “教训。” 要像客观结论 “银子上交宗门三成。” 必须像宣布正常门规 走路不能停 不能转成明显搞笑表演 远景环境人物 可有远处尺寸很小的弟子 只承担世界存在感 不能加入主剧情 不能明显围观主角 不能因笑点而反应过大 四、核心道具 银锭 同一批银子 几锭即可 明确摆在三人之间自然存在的石面上 三个镜头内连续稳定 必须有真实金属重量感与反光 长剑 师姐：唯一一柄银色长剑 小师妹：唯一一柄深色钢剑 全程作为身份道具存在 本段不以打斗为主，重点在谈判与关系反转 五、喜剧结构 第一拍｜误导 敌人出价三十两。 小师妹没有立刻拒绝，而是认真看银子，并说： “太少。” 观众短暂怀疑她真的会接。 第二拍｜递进 敌人加价到五十。 师姐突然亲自下场抬价： “八十。” 局面从“收买”变成“共同议价”。 第三拍｜回马枪 敌人最终成交，追问师姐的弱点。 小师妹认真回答： “怕我吃亏。” 原来这场交易从头到尾都不是背叛，而是这两个人一起顺势“宰”了他一笔。 权威补刀 师父最后一句： “教训。” “银子上交宗门三成。” 把整场荒诞谈判正式盖章成宗门事务。 六、分镜脚本 0–5s｜全景或远景 角色 ID A 始终是同一个 @图片 1 剑仙师姐。 角色 ID B 始终是同一个 @图片 2 小师妹。 一名敌方剑客把几锭银子放在三人之间自然存在的石面上， 看着同一个小师妹说道： “三十两，告诉我她的弱点。” 同一个小师妹没有立刻拒绝， 而是极其认真地观察那几锭银子， 然后平静回答： “太少。” 同一个白衣剑仙闻言， 非常缓慢地转头看向她。 镜头要求 先建立稳定空间与三人位置关系 银子必须清楚可见 小师妹观察银子时，要让观众误判她可能心动 师姐转头必须慢而有分量 保持一丝安静，让包袱先发酵 5–10s｜中景或牛仔景 保持同样两名女子、同一个敌人、同一批银子和完全一致的地理空间。 敌人明显以为有戏，又增加银子： “五十。” 同一个小师妹认真思考，刚准备开口， 同一个剑仙师姐却先一步非常平静地说道： “八十。” 完整安静半拍。 敌人难以置信地盯着她： “我在买你的弱点，你还帮她抬价？” 师姐面不改色回答： “我的弱点，不能卖便宜。” 同一个小师妹竟然一本正经地点头， 仿佛非常认可这个价格。 完整保留一个干净的反应停顿。 镜头要求 “八十”必须像理所当然的报价 敌人要明显被逻辑打断 小师妹点头要非常认真，进一步加强荒诞 保留停顿，不急着推进下一句 背景继续自然运动，但绝不抢戏 10–15s｜特写或极近特写 敌人终于失去耐性， 把全部银子向前一推： “八十！她到底怕什么？” 同一个小师妹拿起唯一一锭银子， 在掌心认真掂了一下， 然后极其自然地指向师姐： “怕我吃亏。” 完整停顿半拍。 同一个剑仙师姐立刻把银子全部推到小师妹那边，平静说道： “所以钱留下，人可以走了。” 敌人彻底僵住： “那我买了什么？” 镜头焦点转移到数步之外恰好经过的同一个年长师父。 师父脚步完全不停，随口回答： “教训。” 又走两步后， 他以处理宗门正事一样的严肃语气补上一句： “银子上交宗门三成。” 极近特写： 同一个师姐和同一个小师妹第一次同时猛地转头看向他，异口同声： “师父？” 师父却仿佛什么都没有发生一样继续往前走。 敌人则缓慢低头看看自己已经空掉的双手， 再看看这两个女人， 完全说不出话。 精准切黑。 镜头要求 小师妹“怕我吃亏”必须自然且一锤定音 师姐推银子时要迅速、合理、干净 师父补刀必须像顺手抽成 “师父？” 这一句要同步、干净、短促 最后切在敌人彻底无语的脸上 七、表演节奏要求 师姐 全程完全严肃 越像在处理正经交易越好笑 不主动笑 不解释荒诞 抬价和收尾都必须带一种公事公办感 小师妹 前半段负责误导观众 中段负责和师姐形成默契合谋 后半段一句“怕我吃亏”完成身份反转 神情始终聪明克制 敌人 开始时掌控感强 中段迷惑 后段彻底失去理解能力 反应要层层升级，但不能浮夸失真 师父 只负责最后两句 要像宗门长辈顺手处理账目 越平静，越有杀伤力 八、摄影与空间要求 16:9 横屏 三个连续清晰镜头 Arri Alexa 电影机观感 画面清晰稳定 面部细节清楚可读 自然体积光 细腻胶片颗粒 喜剧停顿必须留够 反应镜头要精准 前景、中景、远景保持自然视差 银锭、人物站位、地理关系必须稳定连续 九、声音要求 原生同步普通话对白 口型精准 喜剧停顿明确 真实空间环境声 背景风、水体、山雾、植被、远处弟子声持续自然存在 不生成字幕 十、技术规格 总时长：15 秒 画幅：16:9 横屏 三个连续清晰镜头 原生同步普通话对白 口型精准 喜剧停顿明确 人物身份、服装、长剑、银锭道具、配角位置和地理空间全程稳定 视线与手部动作清楚可信 真丝衣料与头发物理效果真实 前景、中景、远景保持自然视差与真实空间声音 整体按照 Seedance 2.0 官方 15 秒多镜头音视频生成与多模态参考连续性能力进行组织 十一、Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props
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