兩名穿訓練服的戰士在黃昏城市屋頂的粉筆圈內以棍棒對打

提示詞

使用第一張參考圖片（由 9 個格子組成的分鏡聯絡表，各格標示為 TAKE 01 至 TAKE 09）作為同一個不間斷、固定鏡頭中依序呈現的 TAKE 01-TAKE 09 關鍵姿勢：攝影機絕不移動，動作在固定畫面內依序經過 TAKE 01 至 TAKE 09，不剪接、不停頓；完全忽略其線稿風格、分鏡格框、間隔和任何文字。
LOOK & WORLD：現代 2D 賽璐珞上色動畫風格，搭配繪製背景和俐落、自信的線條。黃昏時分的城市屋頂上，兩名穿著簡單訓練服的格鬥者在粉筆圓圈內以棍對打。溫暖低斜的暮光、混凝土上的長影，後方帶有冷藍色調的城市薄霧。固定使用一顆 24mm 鏡頭，深景深，電影感。鏡頭絕不改變。
CONTINUITY（必須遵守，不是風格選項）：固定的正面廣角鏡頭，腰部高度，從 TAKE 01 到 TAKE 09 始終不變。場景中的定位物全程保持原位：畫面左側的屋頂水塔、中央的粉筆圓圈、畫面右側的城市天際線，以及右側的木箱。粉筆圓圈直到 TAKE 04 都保持完整；從 TAKE 05 開始出現磨痕，並持續保留。TAKE 06 時有一根棍掉落，之後整段拍攝中都留在地上。畫面左側的格鬥者直到 TAKE 07 都保持站立，從 TAKE 08 起倒地。場景中的定位物全程保持在畫面中的固定位置，鏡頭高度絕不改變，而且所有標示特定 TAKE 編號的狀態，從該 TAKE 起持續成立，在此之前則不成立。絕不自行添加分鏡表中沒有的鏡頭。
ACTION & CAMERA：攝影機牢牢固定。不可剪接、不可變焦、不可平移、不可俯仰、不可跟拍、不可晃動、不可重新構圖。只有動作會變化，在固定畫面內進出。
(TAKE 01) 固定鏡頭，無移動，對峙：兩名格鬥者分別站在粉筆圓圈兩側，手持低位的棍。
(TAKE 02) 固定鏡頭，無移動，首次接近：畫面左側的格鬥者踏步向前，舉棍進入防守姿勢。
(TAKE 03) 固定鏡頭，無移動，首次交鋒：兩根棍在畫面中央上方相撞。
(TAKE 04) 固定鏡頭，無移動，糾纏：兩人貼近，棍交叉，彼此互相施力。
(TAKE 05) 固定鏡頭，無移動，脫離：畫面右側的格鬥者轉身退開，圓圈上首次出現磨痕。
(TAKE 06) 固定鏡頭，無移動，繳械：畫面右側格鬥者手中的棍旋飛至畫面右側，落在地上。
(TAKE 07) 固定鏡頭，無移動，空手：畫面右側的格鬥者舉起張開的手掌，另一人仍保持防守。
(TAKE 08) 固定鏡頭，無移動，摔倒：畫面左側的格鬥者被掃倒，平躺在圓圈內。
(TAKE 09) 固定鏡頭，無移動，舉手

Use the first reference image (9 panel storyboard contact sheet whose cells are labelled TAKE 01 to TAKE 09) as ordered key poses TAKE 01-TAKE 09 for ONE unbroken LOCKED shot: the camera never moves, the action passes through TAKE 01 to TAKE 09 inside a fixed frame, without cuts or holds; completely ignore its line-sketch style, panel frames, gutters and any text.
LOOK & WORLD: Modern 2D cel-shaded anime with painted backgrounds and clean confident linework. On a city rooftop at dusk, two fighters in simple training clothes trade staff work inside a chalk circle. Warm low dusk light, long shadows on concrete, cool blue city haze behind. One fixed 24mm lens, deep focus, cinematic. The lens never changes.
CONTINUITY (binding, not flavour): Locked frontal wide at waist height, unchanged from TAKE 01 to TAKE 09. Stage anchors hold their positions throughout: rooftop water tank screen-left, chalk circle center, city skyline screen-right, crate at right. The chalk circle is unbroken through TAKE 04; scuff marks start at TAKE 05 and persist. One staff drops at TAKE 06 and stays on the ground for the rest of the take. The screen-left fighter is upright through TAKE 07 and grounded from TAKE 08 on. Stage anchors hold their screen positions throughout, the camera height never changes, and every state pinned to a TAKE number is true from that TAKE onward and false before it. Never invent a shot that the sheet does not have.
ACTION & CAMERA: the camera is bolted down. No cuts, no zoom, no pan, no tilt, no tracking, no shake, no reframing. Only the action moves, entering and leaving a fixed frame.
(TAKE 01) locked, no movement, Facing off: both fighters stand at opposite edges of the chalk circle, staffs low.
(TAKE 02) locked, no movement, First approach: the screen-left fighter steps in, staff rising to guard.
(TAKE 03) locked, no movement, First clash: the staffs meet high in the center of the frame.
(TAKE 04) locked, no movement, Bind: bodies close, staffs crossed, both leaning into each other.
(TAKE 05) locked, no movement, Break: the screen-right fighter pivots away, first scuffs on the circle.
(TAKE 06) locked, no movement, Disarm: the screen-right fighter staff spins out to frame-right and lands on the ground.
(TAKE 07) locked, no movement, Empty hands: the screen-right fighter raises open palms, the other still guarding.
(TAKE 08) locked, no movement, Takedown: the screen-left fighter is swept and lands flat inside the circle.
(TAKE 09) locked, no movement, Hand up